We've been here since early 2014 and we have receieved a few testimonials on our website, but as of late 2018 we have moved our review serction to Google and Facebook. If you would like to let us know your experience with Web For Actors we would love to hear from you.
Frederick Martin - Web For Actors client
Yes! Finally! They call it "the web" for a reason, and IADB helped clear out the brush and made a simple roadmap to creating a sleek, professional website. The website looks amazing and I've told all my friends about it.
Actor Website Tips | Getting to any desired content should never take more than 2 clicks.
I used to build real estate websites for many years, and we've always had a standing rule of "three clicks". What it meant is that no content should take more than three clicks to get to.I've been running statistics on...
Fun Facts | Websites for Actors
Build your #actor #website during a commercial break.
Actor Casting Hints | Impress Casting Directors
Try to make it your own as long as it feels natural. Could be a voice inflection, or your stance.
Actor Dictionary | Back-End Payment
Also commonly referred to as "participation" or "contingency", a back-end payment is a type of compensation usually given to an above-the-line talent on a film. This means that the talent will receive a percentage of the revenue generated after the film is completed and is typically given to the talent in addition to his or her fixed upfront fee. This could include box office sales, foreign sales, VOD sales, DVD sales, and sales from other ancillary markets. How the back-end payment is defined varies from project to project, and depends solely on what the talent negotiates. Often times the agent will negotiate this deal. The talent may negotiate for "gross-participation" in which the talent receives a percentage of the revenue before certain expenses have been deducted. This is often referred to as "First-Dollar-Gross", which is every talent' objective to attain in a back-end negotiation. In other words, as soon as the first-dollar of revenue has been generated, the talent starts receiving a percentage of that revenue. The talent may negotiate for a percentage of "distributor' adjusted gross" which means that the talent will receive a percentage of the revenue after a defined break-even point has been reached. The talent may also negotiate for a percentage of "net-profit", however, this is type of deal is rarely done as a film, according to standard accounting principles, rarely reaches net profit.
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